Interesting setup. I noticed you only selected one VCO and I don't see a midi in or sequencer. I assume maybe this will be in a seprerate case? And plenty of filters and FX. Is that your plan to take one sound source and just modulate the heck out of it?
Dump the fixed filter bank, it's not much fun.
Replace it with spreading around active mults to share those generated signals.
Stuff's sort of scattered all over that rack.
Mostly because how modules are built, but also from tradition, the easier layout, going left to right is:
clock/input->gen cv/en/lfo->osc(s)->filter+en->vca+en->fx->mix->out
Consider what's next to each other, down the line. Is it a nessecery pairing (vca and it's env)
or a convienient or usual pairing? Or the heart of a thing you just want to hear work together?
Put them close. Then pair the pairs.
Why? Its the wires. People forget about the wires.
Two footers, back and forth along the interface, then all the shorter connects woven in-between.
For me, it's a distracting pain having to dig thru the nest to find a label or tweak a knob.
I know that's also the point, the switchboard, the drape, and eurorack's fun is uniquely that.
I'm just saying, stuff's sort of scattered all over that rack.
Interesting setup. I noticed you only selected one VCO and I don't see a midi in or sequencer. I assume maybe this will be in a seprerate case? And plenty of filters and FX. Is that your plan to take one sound source and just modulate the heck out of it?
-- ZipTronic
It's for audio manipulation.
Ableton - rack fx - back to Ableton
I am doing live fx manipulation on existing audio and recording it live on Ableton. Then I look for a unique loop to build entire composition on