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| Module | Row | Width | Depth | +12V | -12V | +5V | |
|---|---|---|---|---|---|---|---|
| 3 Modules (0 passive) | Row 1 | 24 HP | max 55 mm | 80 mA +12V | 50 mA -12V | 0 mA +5V | |
| 7 Modules (0 passive) | Row 2 | 84 HP | max 46 mm | 493 mA +12V | 166 mA -12V | 90 mA +5V | |
| 3 Modules (0 passive) | Row 3 | 88 HP | max 45 mm | 670 mA +12V | 432 mA -12V | 0 mA +5V | |
| 13 Modules (0 passive) | Total | 196 HP | max 55 mm | 1,243 mA +12V | 648 mA -12V | 90 mA +5V | |
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Acidlab 8SD 808 SD Clone |
1 | 8 HP | 28 mm | 20 mA | 20 mA | 0 mA |
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Doepfer A-124 SE Wasp 12dB/oct Multimode Filter (Special Edition) |
1 | 8 HP | 45 mm | 40 mA | 10 mA | 0 mA |
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Doepfer A-106-5 SEM SEM VCF |
1 | 8 HP | 55 mm | 20 mA | 20 mA | 0 mA |
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Audio Damage ADM12 Neuron FM Drum Voice |
2 | 12 HP | 23 mm | 50 mA | 9 mA | 0 mA |
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Hexinverter Électronique Mutant Clap The TR-909's clap featured one control the user could adjust: volume. That was not okay with us. |
2 | 13 HP | 35 mm | 75 mA | 35 mA | 0 mA |
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Tiptop Audio HATS909 909 Analog Hi-Hats |
2 | 8 HP | 36 mm | 33 mA | 22 mA | 0 mA |
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Hexinverter Électronique Mutant Hihats A classic electro percussion synthesis design reborn as something completely different. |
2 | 13 HP | 35 mm | 75 mA | 45 mA | 0 mA |
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Tiptop Audio CYMBL909 909 Analog Cymbals |
2 | 8 HP | 46 mm | 60 mA | 40 mA | 0 mA |
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Noise Engineering Basimilus Iteritas Digital drum synthesizer |
2 | 12 HP | 28 mm | 80 mA | 5 mA | 90 mA |
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Mutable instruments Clouds Texture synthesizer |
2 | 18 HP | 25 mm | 120 mA | 10 mA | 0 mA |
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Tiptop Audio Circadian Rhythms Step Sequencer |
3 | 36 HP | 29 mm | 160 mA | 0 mA | 0 mA |
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Mutable instruments Yarns MIDI interface |
3 | 12 HP | 20 mm | 60 mA | 2 mA | 0 mA |
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WMD Performance mixer |
3 | 40 HP | 45 mm | 450 mA | 430 mA | 0 mA |
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