This is how I did a 4 note analog poly voice section. Kind of big, but does a lot in the space.
I arranged it this way to get all of the connections and controls closer together.
The A-180-9 connects with two ribbon cables in the back to another A-180-9 in the note clock section.
This avoids having up to 14 wires draping across the front. That's how this section is usually fed notes, gates, and modulation.
The Ethernet-looking-but-not connectors also still work to talk to other systems with a single cable. Really handy.
Four LFOs for independant wobble or PWM. The Synthrotek active mult is perfect for this config.
The Precision Adder shares the bus with the VCO, so I can switch inputs, modulate, or change octaves without needing extra cables.
Nothing exotic or boutique, but it stays in tune, is readable, plays sweet and soft, or it can knock your head off.
In compariison, it makes Saïch, and most of those supersaw all-in-ones, end up sounding like wheezy arcade chiptune music.
Here's what this poly quad sounds like by itself: https://noodlehut.bandcamp.com/track/lamp-of-lament
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